Folles de leur corps - Crazy about their bodies

Staged as tableaux, Kivland’s material forms entwine politics and aesthetics in the intersection of public political action and private subjectivity, testing their affective relation through shared cultural production in the present.

The works trace feminine representation across time, revealing paradigm shifts in the forms taken by both public action and women’s education. Older works are included, like actors in a travelling troupe, each time employed to new purpose, revised or entirely remade. Placed in relation to new works, set in new arrangements, they change forms, mutable even as they repeat.

The mise-en scène included a library (from Kivland’s own, those used in research for the works), a bookshop (in collaboration with Artwords bookshop, London), a reading room (which has remained in the gallery), and an artist’s residency for artist Chris Gibson as librarian-in-residence during each weekend of the exhibition, in conversation with visitors. There was a related film-screening of Peter Watkin’s La Commune. Paris 1871 at Sands Film Club, Bermondsey, followed by a public discussion. There was an opening performance with sixteen women, wearing works from the exhibition.

An ‘agit-disco’ was conceived by Stefan Sczelkun with Kivland. A book accompanied the exhibition, including short essays in conversation with works in the exhibition by twenty-one writers from the fields of psychoanalysis, philosophy, art history, literary criticism, human geography, film criticism, comparative literature, and art. The events, exhibition, and book form a phalanstery, after Fourier, a place of encounter, where common space is opened.